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What is Mento Music? |
Page last revised: 1/17/18
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What is mento? Here's a short
answer: It's a Jamaican music that is largely unknown outside of that is the grandpappy
of reggae. For a ska or reggae fan, mento sounds familiar and exotic and
unfamiliar. Mento recordings are difficult to come by, but worth seeking out.
It's music that lifts my spirits and relaxes my mind whenever I hear it.
Here's a somewhat longer answer:
These recordings reveal mento to be a diverse musical genre, sometimes played with reckless abandon and other times with orderly precision. In addition to mento's African and European roots, by this time, it had also encompassed pan-Caribbean influences, as well as from American jazz. Although it was informed by a world of music, mento is clearly, uniquely Jamaican. And as Jamaica's original music, all other Jamaican music can trace its roots to mento.
During this time, Trinidadian calypso was the Caribbean’s top musical export, and the term "Calypso" was used generically applied to Jamaican mento as well. Far more often than it was called by its proper name, mento was called "calypso", "kalypso" or "mento calypso". Adding to the confusion, Jamaica had its own calypso singers that did not record mento, such as Lord Creator. (The Trinidad-born Creator later became a ska singer for Studio 1.) And mento artists would often perform calypso songs in the mento style, or record a mento song with calypso influence. Some mento artists followed the calypsonian practice of adding a title such as "Count" or "Lord" to their name. But make no mistake, mento is a distinctly different sound from calypso, with its own instrumentation, rhythms, pacing, vocal styles, harmonies, and lyrical concerns. The Classic Rural Sound
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with many of the same bands, plus King Arthur and others, as seen right. |
At the Duns River Falls Festival in 1964, a mento competition attracted a roster that included Count Lasher, Count Owen, Sugar Belly, Harold Richardson and The Ticklers, and some less well remembered acts, such as The Diggers, The Pirates, The Ever Ready Band and The Seven Elevens. Also on the bill were Carlos Malcolm and Louise Bennett.
Men-to
Though the club was not exclusively male, there were very few female mento singers. Golden age exceptions included a few odd singles by the jazzy Louise Lamb and Louise Bennett, who was primarily a Jamaican folk singer, but did record some urban mento. In mento's middle period, there was a single by female singer Girl Wonder. Visit The Wailers and Mento page for Girl Wonder's surprising identity.
Mento's Peak of Popularity in the US and UK
Late in the 1950s, a calypso
craze swept both sides of the Atlantic, spearheaded by
Harry Belafonte's massive popularity. But
many of Belafonte's calypso songs, were, in fact mento and Jamaican folk
songs. This helped open the door for mento acts to go international. London Records
released a mento compilation of material licensed from the Jamaican
M.R.S. label. Lord
Flea appeared on American TV shows, in two Hollywood films and released
an album on Capitol. Other groups, such as
The Silver Seas Calypso Band appeared on
American television. Lord Foodoos recorded
for Electra Records. Consistently, however, the generic term "calypso"
rather than the more descriptive "mento" was used. The calypso
craze ended by the early 1960s, and with that, mento faded from the
international market.
The Golden Age Ends
Mento’s golden age ended as American R&B exploded in Jamaica. Sounding more modern, urban and danceable to Jamaican ears, R&B supplanted mento as the country’s favorite musical form. However, mento continued to be played and recorded. When R&B ran it course, shrewd Jamaican producers/sound system operators sensed that the island was again ready for a more Jamaican sound. Elements of mento were combined with R&B, resulting in the brief pre-ska era of songs, such as the Prince Buster produced, "Oh Carolina". Not to be outdone, Coxsone Dodd assembled Jamaica’s finest jazz musicians, added their skills to the mix, and ska exploded on the scene, triumphant. A new Jamaican music was being born just as Jamaican was being born as an independent country in 1962. But mento's golden age had ended.
For more on mento's golden age, visit artists', More Golden Age Album Scans, More Golden Age Single Scans and the Can I Buy Mento? pages. The Other Artists and Favorite Songs page has sound clips from a number of songs from the golden age.
As ska begat rock steady, and rock steady begat reggae, many Jamaicans largely looked upon mento as old-fashioned and provincial compared to the exciting new music that the island continued to generate. As Glen Washington sang in 1976 on "Rockers (Nu Crackers)", in the only reference to mento I've found in a reggae lyric:
Down in the ghetto,
Don't want no mento sounds,
Don't want calypso,
Don't want no other sounds,
Only rockers
(A few years later Lord Laro took a more positive view in his "Mento DJ Jam". He sings, "reggae come from mento", that "the mento has been around as long as our history" and even mentions quadrille with an incongruent instrumental backing that fuses dancehall and Trinidadian soca sounds.)
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But mento continued to be recorded. Some 45 RPM singles (such as King Barou's great 45 RPM, "Calypso Cha Cha Cha" on Coxsone Dodd's Port-O-Jam label) and many LPs were produced in the middle period. These were targeted primarily at tourists, who often found a mento group playing at their hotel. Judging by the surprisingly high number of autographed mid-period records floating around today, it would appear |
that the hotel would often sell recordings by their resident "calypso" band. Good mid-period LPs included, "Big Bamboo" and three others by The Hiltonaires, "Plantation Inn" by The Happy Smilers, "Calypso Beach Party" by The Goldenaires, "The Wrigglers Sing Calypsos at the Arawak Hotel", and many others, including some by golden-age stars, such as Count Owen. Some mento LPs from this era adopted something of a ska rhythm, but kept the sound otherwise traditional. Examples include "Let's Dance The Ska" by Lord Gayle and "Ska-Motion In Ska-Lip-So" by The Hiltonaires . This was followed by |
mento-reggae, as elements of both Jamaican music were combined. Some middle period mento LPs were quite bland, such as "Yellow Bird" by the promisingly named Jamaica Duke and the Mento Swingers, and the aforementioned Wrigglers LP. The great majority of the recordings from the middle period were of old mento songs, with sundry other covers. Virtually none of the songs on these LPs appear to have been written during this period. |
To see jackets from all of the releases mentioned above and more from mento's
middle period, visit the artists' pages,
More Middle Period Album Scans,
More Middle Single Scans and the
Can I Buy Mento? pages. The
Other Artists and Favorite Songs page has sound clips from a number of
songs from the middle period.
The Mento Resurgence (1977 - Today)
Mento's popularity as recorded music experienced a resurgence beginning in 1977 and continuing through today.
1977 - 1990s
Mento's
popularity experienced a resurgence beginning 1977, when the NYC-based Lyrichord world music label released
the
Jolly Boys "Roots of Reggae" on LP and
cassette. In 1989, two
Jolly Boys CDs appeared on the American Ryko label. This was followed by
several more CDs on non-Jamaican
labels. Although none of these releases are in print today [though some are
coming back in print. See the news page.], they must have
done well enough to show that there was a market for mento. Other releases
followed. A
Lititz Mento Band CD was released out of Germany, which may be
explained by the fact that Jamaica is a popular vacation destination for
Germans. A 1997 The Humming Birds CD
was released only in Japan, where they are crazy for Jamaican music, and
mento seems to enjoy a small but dedicated fan base. In 1997, the final Jolly Boys
CD, a live set recorded in 1992, was released in Japan only.
Reggae's Sleng Teng riddim of the early 1980s kicked off the digital revolution that lead to today's dancehall sounds. A song to that riddim, "Pumpkin Belly" by Tenor Saw unexpectedly mentions mento bamboo sax player Sugar Belly and calls him the "king of the saxophone". Another song by Tenor Saw from this era was his hit "Ring The Alarm". This song, about "another a sound [system] is dying", unexpectedly interjects lyrics from the mento song "Hold 'Im Joe". This could either be in remembrance of when sound systems played mento records, or perhaps alerting against mento being forgotten.
2000 - 2001
This
international interest segued nicely
into a renewed interest in mento at home, as The Jamaica Cultural
Development Commission released "Mento
Music in Jamaica, Vol. 1" in 2000. Other Jamaican releases,
such as the largely instrumental Rod Dennis Mento Band and
The Blue Glaze Mento Band,
appeared the next year.
Another 2001 release was the overdue and crucial golden age anthology "Boogu Yagga Gal" on the Heritage label out of the UK. This was soon followed by other collections of 1950s mento.
2002 - 2003
In 2002, Mutabaruka
released both reggae and mento versions of "The Monkey". Based on the old the mento song, "Monkey
Talk", the latter offered a fusion of mento and dub poetry.
(On the same LP, Muta also recorded "Miss Lou", a salute to
Louise Bennett.)
Lord Tanamo played a set of mento at a Legends of
Ska reunion concert. The Golden Aires released two CDs, complete with video.
Also in 2002,"Stanley Beckford Plays Mento", a collaboration with The Blue Glaze Mento Band, was released. This CD is comprised of classic mento tracks, a handful of Bob Marley songs mento-style and new mento renditions of some of Stanley's reggae-mento songs. One of these is a great track, "Broom Weed", that showed mento could move forward in new directions, while still being true to what mento is. Then, in 2003, another golden age compilations, "Rookumbine" from the Khouri family was released.
2004
In 2004, a collection of golden age MRS recordings, "Mento Madness"
was released, as was Stanley Beckford's second
mento CD, Reggaemento, again backed by
the The Blue
Glaze Mento Band.
Then, a series of five CDs compiling 80 (!) songs by
Chin's Calypso Sextet began to be released, as the great mento remembrance
continued.
There have been mento-ska LPs, (see the Count Owen and Hiltonaires pages for just two examples) and reggae-mento was an entire genre of reggae onto itself (see the pages for Stanley Beckford and Naaman Lee). Then, evidence of a fusion between Jamaica's oldest and newest forms of music was heard as mento-dancehall recordings appeared from Jamaica.
In 2004, Louie Culture recorded "Donkey Back". Dancehall vocals and rhythms were successfully merged with banjo, synthesized flute, and lyrics filled with country proverbs, producing a most enjoyable track. Later that year, the "Chaka Chaka" dancehall riddim broke, featuring harmonica, banjo, fiddle swoops (though played on guitar), a bass line simple enough for a rumba box, and a pre-reggae beat, dancehall style. Beenie Man voices the riddim several times, as does Elephant Man, who works in the melody of "Sammy's Dead". "Wi Have It", by TOK , captures the upbeat, celebratory spirit of the riddim especially well.
2005
A Chaka Chaka single-riddim collection CD is released in April. It includes all of the recordings to that riddim, except, sadly, the TOK track, which is worth seeking out as a single.
2006
In January of 2006, Raged Records released the double CD set, "Strummer: A Clash Tribute", which contains a mento version of "Junco Partner." The group, King Django and Dr. Ring Ding meet The Freshmakers featuring Lord Tannehill includes Dan Neely. For more information, visit Dan's site.
In March 2006, Monty Alexander's "Concrete Jungle" CD was released. It featured a track with the Rod Dennis Mento Band -- a rural mento version of Bob Marley and The Wailers' "Three Little Birds", featuring Monty on melodica. In April, at a NYC performance, Monty and band jammed with Carlton James of the Rod Dennis Mento Band.
In April 2006, Trojan released the two CD collection: "Dip and Fall Back!: Dr. Kinsey To Haile Selassie - Classic Jamaican Mento". The first disc contains golden age sides, while the 2nd disc contains middle period recordings. In June of 2006, Pressure Sounds released "Take Me To Jamaica" - another good golden age collection.
2009
In the first half of 2009, another mento-dancehall riddim hit the street. The "National Pride" riddim featured a feel good vibe, banjo and a simplified pre-reggae beat. It attracted big names like Beenie Man, Elephant Man and TOK amongst others. Memories were stimulated in two songs. "No Man Room" by Ding Dong utilized some of the melody of the Clyde Hoyte's mento song "Daphne's Walking". "The Garden" by Degree featuring Lukie D recalls a few lyrics from Count Lasher's "Water The Garden".
In December, a new CD by Gilzene and The Blue Light Mento Band was released.
2010 and on
In the 2010 The Jolly Boys made a return to recording with a surprising album, video and media-rich new web site. They toured Europe, and at the start of the next year, the US . Also in 2010, Tallawah Mento Band released a strong CD. The same year, roots reggae group Israel Vibration surprised by including a mento song, "Cantankerous", on their Reggae Knights album. In 2011, The Blue Blaze Mento Band released a guest star filled CD. In 2013 Larry And The Mento Boys released an 18 song CD. And the double CD golden-age collection called "Mento, Not Calypso" was released. Others followed, as listed on the Can I Buy Mento? page.
For more on the releases from mento's resurgence,
visit the
More Resurgence CD Scans, Can I Buy Mento?
and the
Other Artists and Songs Clips,
Stanley Beckford and Jolly Boys pages.
For more information on mento, also see:
This site's Jamaican Music Roadmap .
This site's Edric Connor, Louise Bennett & Jamaican Folk Music page has video about mento and Jamaican folk music, and includes a mento performance.
The Beat magazine, [Volume 20, No. 6, 2001], for the five page article, Long Time Gal! Mento Is Back!, by Daniel Neely.
The liner notes of the release Boogu Yagga Gal.
The September 2004 issue of Global Rhythm magazine, where Dan Neely has a two page article that reviews the history of mento with an emphasis on the start of Stanley Motta's MRS label. It also discusses Stanley Beckford's career and is well worth the small cost of a back issue. The magazine is bagged with a CD that includes Lord Messam's fine recording of "Linstead Market", from the Motta compilation CD, "Mento Madness".
The book "Reggae Routes" by Kevin O'Brien Chang and Wayne Chen has information and even a picture of mento's earliest remembered act, Slim and Sam.
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